An extraordinary illustrated biography of a Métis man and Anishinaabe woman navigating great changes in their homeland along the U.S.–Canada border in the early twentieth century

John Linklater, of Anishinaabeg, Cree, and Scottish ancestry, and his wife, Tchi-Ki-Wis, of the Lac La Croix First Nation, lived in the canoe and border country of Ontario and Minnesota from the 1870s until the 1930s. During that time, the couple experienced radical upheavals in the Quetico–Superior region, including the cutting of white and red pine forests, the creation of Indian reserves/reservations and conservation areas, and the rise of towns, tourism, and mining. With broad geographical sweep, historical significance, and biographical depth, Making the Carry tells their story, overlooked for far too long.

John Linklater, a renowned game warden and skilled woodsman, was also the bearer of traditional ecological knowledge and Indigenous heritage, both of which he was deeply committed to teaching others. He was sought by professors, newspaper reporters, museum personnel, and conservationists—among them Sigurd Olson, who considered Linklater a mentor. Tchi-Ki-Wis, an extraordinary craftswoman, made a sweeping array of necessary yet beautiful objects, from sled dog harnesses to moose calls to birch bark canoes. She was an expert weaver of large Anishinaabeg cedar bark mats with complicated geometric designs, a virtually lost art.

Making the Carry traces the routes by which the couple came to live on Basswood Lake on the international border. John’s Métis ancestors with deep Hudson’s Bay Company roots originally came from Orkney Islands, Scotland, by way of Hudson Bay and Red River, or what is now Winnipeg. His family lived in Manitoba, northwest Ontario, northern Minnesota, and, in the case ofJohn and Tchi-Ki-Wis, on Isle Royale. A journey through little-known Canadian history, the book provides an intimate portrait of Métis people.

Complete with rarely seen photographs of activities from dog mushing to guiding to lumbering, as well as of many objects made by Tchi-Ki-Wis, such as canoes, moccasins, and cedar mats, Making the Carry is a window on a traditional way of life and a restoration of two fascinating Indigenous people to their rightful place in our collective past.

Minong (the Ojibwe name for Isle Royale) is the search for the history of the Ojibwe people's relationship with this unique island in the midst of Lake Superior. Cochrane uses a variety of sources: Ojibwe oral narratives, recently rediscovered Jesuit records and diaries, reports of the Hudson's Bay post at Fort William, newspaper accounts, and numerous records from archives in the United States and Canada, to understand this relationship to a place. What emerges is a richly detailed account of Ojibwe activities on Minong—and their slow waning in the latter third of the nineteenth century.
     Piece by piece, Cochrane has assembled a narrative of a people, an island, and a way of life that transcends borders, governments, documentation, and tidy categories. His account reveals an authentic 'history': the missing details, contradictions, deviations from the conventions of historical narrative—the living entity at the intersection of documentation by those long dead and the narratives of those still living in the area. Significantly, it also documents how non-natives symbolically and legally appropriated Isle Royale by presenting it to fellow non-natives as an island that was uninhabited and unused.